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"Humane
and hugely funny" was how the Financial Times described
Sarah Daniels' sometimes shocking play. The Gut Girls,
when it opened at London's Albany Empire in 1988.
Time
Out, London reported: "Regarded as little better than whores by their
contemporaries, the gut girls are portrayed in this vigorous and intelligent
play as a boisterous, beer-swilling, strong-minded bunch, handy with a
knife both in the gutting shed and outside it, definitely independent
in attitude and scornful of the illusion of male supremacy."
TATS
production, directed by Cathy Swift, was based on real events and set
against the unlikely backdrop of a slaughterhouse in late Victorian Deptford.
It
traced the lives of girls who worked in the gutting sheds and how their
fortunes are changed forever when the sheds are closed down. The efforts
of the well-meaning Lady Helena to convert the rough and ready girls into
young ladies - and find them alternative employment - are not without
their tragic consequences.
|
|
Carcass kindly loaned by the
Meat & Livestock Commission |
The Set |
|
|
Gut Girls |
Polly,
Annie, Kate and Maggie |
|
|
Jim
& Len |
Lady
Helena in her drawing room with with Arthur Cuttle Smythe |
|
|
Emily
attends to Lady Helena |
Annie
& Kate |
 |
Lady
Helena's club, featuring Victorian magic lantern kindly loaned by
Mrs Val Illingworth |
|
 |
Priscilla
Cuttle-Smythe and Nora |
Maggie
& Lord Edwin |
 |
Lady Helena and Lord Edwin |
|
|
Curtain
Call |
Maggie
& Eady |
|
Polly, Maggie, Kate and Annie |
| Cast
and Crew: |
| Cast |
|
| Harry |
Michael
Jakins |
| Annie |
Rachel
Swift |
| Polly |
Gill
Shouler |
| Ellen |
Liz
Curd |
| Maggie |
Stephanie
Munno |
| Jim |
Adam
Pitt |
| Lady
Helena |
Rosemary
Gentry |
| Lord
Edwin |
Doug
Dunkley |
| Emily |
Kate
Brewster |
| Arthur
Cuttle-Smythe |
Mark
Rycraft |
| Len |
Barrie
Holland |
| Edna |
Su Jenkins |
| Eady |
Sandra
Nightingale |
| Priscilla
Cuttle-Smythe |
Pauline
Adams |
| Madjacko |
Mark
Rycraft |
| Nora |
Lydia
Pickwick |
| Crew |
|
| Director |
Cathy
Swift |
| Costumes |
Anne
Milne |
| Props |
Mary
Dunkley and Penny Murray |
| Carcasses |
Jimmy
Mann, assisted by Stephanie Munno, Lucy Nightingale, Helen Swift and
Rosemary Gentry |
| Set
construction |
John
Murray, Andy Steele, Barrie Holland |
| Lighting |
Glynis
Northwood, Tom Pickwick |
| Marketing |
Karen
Pickwick, Sandra Nightingale |
| Raffle |
Eilean
Moulang |
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